Ida Sahmie

Ida Sahmie was born near Pine Springs, AZ in 1960. She was raised in a traditional Navajo family: she learned to weave from her mother and grandmother but she didn't think she had the patience to be a real weaver. Then in the mid 1980's she married Andrew “Louie” Sahmie. He was Hopi so Ida moved into his home on the Hopi reservation. Her mother-in-law was Priscilla Namingha, a well-known potter and descendant of the famous Hopi potter Nampeyo of Hano.

Ida observed Priscilla making pottery and was moved by her beautiful work. Shortly, Priscilla was encouraging Ida to make some pots. Ida started out making small pots which she fired along with Priscilla’s work. Her first painted designs were simple Hopi-based patterns. She soon realized she needed to come up with her own designs based on her Navajo heritage.

At that time Bruce McGee owned the historic Keams Canyon Trading Post with its Indian Art Gallery. One day Ida was planning to drive Priscilla there to sell some of her pots – then Priscilla suggested that Ida bring some of her own. Bruce bought some of Ida's and asked for more. That's how Ida’s career as a potter really began.

Navajo sand painting designs were a primary inspiration for the images Ida paints on her pots. As some of those are sacred images they need to be depicted exactly as tradition requires. Other images required that Ida have a Night Chant ceremony performed first, then it would be safe for her to depict the figures.

She prefers to dig her clay on the Navajo Reservation. She uses a mix of natural white and yellow clays that result in a peach colored body, a background that best shows off her designs. She often mixes a little of the white clay with wild spinach to create the softer black slip used in some of her images.

The pots are fired outside in the traditional way (with ash and sand), then the pile is mounded over with sheep manure to create an intense heat. The firing process can take all day and can only happen when the weather is just right.

Ida won 2nd Place and Best of Class for her pottery at the 2010 Navajo Nation Fair. Her combination of Hopi pottery techniques and painted Navajo designs makes her pottery truly unique.

Father Sky figure and geometric designs on tile
Tile with Father Sky figure and geometric designs
4 1/2 in H by 3 1/4 in W
Night Chant dancers on a tile
Tile with Night Chant dancers
2 3/4 in H by 3 3/4 in W
Day Chant design on a polychrome cup
Polychrome cup with Day Chant dancers
3 1/2 in H by 3 1/2 in Dia
Night Chant dancers on a polychrome jar
Polychrome jar with Night Chant dancers
2 1/4 in H by 2 3/4 in Dia
Day
Polychrome tile with Day Chant dancers
3 1/2 in H by 4 3/4 in W
Night Chant dancers on a polychrome tile
Polychrome tile with Night Chant dancers
3 1/2 in H by 4 3/4 in W
Four direction katsina, kiva step and geometric design on a polychrome yellowware jar
Polychrome yellowware jar with four direction katsina, kiva step and geometric design
7 in H by 5 1/4 in Dia
Day Chant dancers on a polychrome tile
Polychrome tile with Day Chant dancers
3 in H by 4 1/2 in Dia
Day Chant dancers on a polychrome tile
Polychrome tile decorated with Day Chant Dancers design
2 3/4 in H by 4 3/4 in Dia
Night Chant dancers on a polychrome tile
Polychrome tile decorated with Night Chant Dancers designs
2 3/4 in H by 4 1/4 in Dia
Yei design on a polychrome tile
Polychrome tile decorated with a Yei design
2 3/4 in H by 2 in Dia
Night Dancers design on a yellowware jar
Yellowware jar decorated with Night Dancers design
3 1/2 in H by 3 1/2 in Dia
Night Chant dancers on a polychrome jar
Polychrome jar decorated with a Night Chant Dancer design
5 3/4 in H by 6 in Dia
Pottery photos are courtesy of Andrea Fisher Fine Pottery