- Te Tsugeh Oweengeh: Village of the Narrow Place of Cottonwood Trees
- Language: Tewa
- Size: 17,000 Acres
- Population: About 400
Tesuque Pueblo is located about 10 miles north of Santa Fe near Camel Rock, a large, naturally eroded sandstone rock formation. Archaeological sites in the Tesuque Valley area have been dated back to 850 CE. By 1200 CE there were many villages in the area. When the Spanish arrived in 1541 they found six villages including the original Tesuque village, which was located about 3 miles east of today's village. The Tesuque warriors struck the first blow during the Pueblo Revolt of 1680 when two of their messengers were captured by the Spanish and forced to reveal plans about the upcoming revolt. As soon as the messengers told the Spanish the planned date for the uprising to begin, they were put to death. Too bad they had been given the wrong date... Back on the pueblo Tesuque warriors responded by killing a Catholic priest and a public official the next day.
During the Spanish re-conquest in 1692, the old village of Tesuque was virtually destroyed. After submitting to the Spanish, the Tesuque people abandoned the old village, then moved to their present site in 1694.
Once upon a time Tesuque potters made the same clay and slip as their Tewa neighbors in nearby San Ildefonso. In those days that was black on cream pottery plus a bit of polychrome ware. Tesuque pottery tended to have a more rippled surface with flatter bases, and sometimes crystalline fragments in the paste. In the 1830s the Tesuque style began to change and Tesuque Polychrome evolved. That was quite popular until the 1880's when a trader named Jake Gold convinced Tesuque potters to make small figures called Rain Gods. He also had them decorate the Rain gods with commercial paint. These Rain Gods were neither traditional nor ceremonial figures and were made purely for the tourist market. Mr. Gold did an outstanding job of marketing and soon Tesuque potters were turning them out by the thousands. Rain Gods were distributed nation wide. They could be bought by the barrel and thousands were given away by manufacturers as promotional items. The mass production of Rain Gods essentially ended the making of traditional pottery at Tesuque. Then in the 1920's the demand dropped off for the figures and the pueblo potters turned to producing small, usually low fired pots painted with commercial poster paint. Catherine Vigil was among the rare potters still making traditional polychrome ware through the 1930's and 1940's. In the 1960's a few pueblo potters went back to making traditional micaceous pieces and polychrome ware. Today there are still a few potters working to bring back the traditional way of producing authentic Tesuque pottery.