The people of Santo Domingo Pueblo have been in the general area of the Pajarito Plateau since the 1200's. Previous villages were destroyed by floods in 1606, 1700 and 1855, causing the residents to move to higher ground and rebuild. The present village came together organically around 1866. The present mission church was built in 1899.
The Santo Domingo people were participants in the Pueblo Revolt of 1680. In 1681, Antonio Otermin (Spanish Governor of the Province) led a punitive mission against Santo Domingo, only to arrive and find the pueblo deserted: the people had moved to the mountain stronghold at Cieneguilla with their Cochiti Pueblo neighbors. Otermin had the village burned before moving on.
When Don Diego de Vargas arrived in the area in 1692 he attacked Cieneguilla and burned it, too. Many of the survivors fled west and south to Acoma, Zuni and Hopi. Most of those only stayed a short while before moving to Laguna when it was being established. Eventually, though, most returned to the present area of Santo Domingo and started over again.
It is felt the people of Santo Domingo came to the Pajarito Plateau from the Mesa Verde area in the 1200's. At that time, they and the Cochitis were part of the same tribe. The differentiation happened when one group decided to move to the east bank of the Rio Grande and the other chose to remain on the west bank. Since then there havge been other divergences, too, mostly of a religious nature.
Kewa Polychrome seems to have developed in the 1880's and has been a mainstay of pottery design in the pueblo ever since. The style features black geometric designs in vertical panels painted on a cream-colored slip body with a solid red slip underneath.
The Aguilar family started a "reverse painting" trend around 1910 by covering the cream-colored slip almost entirely with black and red. Today's polychrome designs feature animals, leaves and flowers. It is strictly forbidden to paint human forms or sacred symbols on any pottery that isn't ceremonial pottery.
There were very few potters in the pueblo in the early 1900's as most people were making jewelry. Santana Melchor, taught the art of pottery making by her mother, began making pieces in the 1920's and by 1945 she was the most prominent potter at Santo Domingo. She also taught the art to her children and grandchildren. However, it seems the recent revival in Santo Domingo pottery began in the 1970's when Robert Tenorio, originally of a jewelry-making lineage, learned pottery making from his aunt Andrea Ortiz. Over the years since he has revived many of the traditional Kewa styles and passed his art on to more of his family. He has also inspired others within the pueblo to learn to make Santo Domingo pottery again.